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                    <title>University of Bremen - Panels</title>
                    <link>https://www.uni-bremen.de/en/film/film-culture/film-conference/previous-conferences/cinema-crossing-borders/panels</link>
                    <description></description>
                    <language>en</language>
                    <copyright>University of Bremen</copyright>
                    <pubDate>Fri, 10 Apr 2026 11:03:15 +0200</pubDate>
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                            <pubDate>Wed, 08 Apr 2020 11:37:28 +0200</pubDate>
                            <title>Cosmopolitan Cinema</title>
                            <link>https://www.uni-bremen.de/en/film/film-culture/film-conference/previous-conferences/cinema-crossing-borders/panels#c110854</link>
                            
                            <description>&amp;lt;p&amp;gt;The cosmopolitan cinema is shaped in manifold ways by border crossings: global film circulation contributes to the generation of transcultural identities and makes necessary a debate about symbolic borders and third spaces as the exile. Thus, panel 1 examines the border crossing from another perspective – as a sensation provoked by film – containing possibilities of unexpected awareness (of living).&amp;lt;/p&amp;gt;</description>
                            
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                            <pubDate>Wed, 08 Apr 2020 11:37:28 +0200</pubDate>
                            <title>European Borders</title>
                            <link>https://www.uni-bremen.de/en/film/film-culture/film-conference/previous-conferences/cinema-crossing-borders/panels#c110856</link>
                            
                            <description>&amp;lt;p&amp;gt;European borders oscillate between bulwarks and permeable transfer areas, realities routinely dealt with by film. Panel 2 allows for outlooks that exceed the cultural, geographical and chronological European borders designing a typology of the border crossing. The focus here is on different filmic reflections of manifold crises – from conflicts in the Middle East to anxieties pertaining to capitalistic dystopias.&amp;lt;/p&amp;gt;</description>
                            
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                            <pubDate>Wed, 08 Apr 2020 11:37:28 +0200</pubDate>
                            <title>American Borders</title>
                            <link>https://www.uni-bremen.de/en/film/film-culture/film-conference/previous-conferences/cinema-crossing-borders/panels#c110858</link>
                            
                            <description>&amp;lt;p&amp;gt;America – a country in which the proverbial “unlimited possibilities” remain utopian in many ways. Panel 3 spends time on the filmic representation and reflection of US borders emphasizing the border area to Mexico thus analyzing it from a (film) historic and modern political perspective. However, the sight of the borders of the American dream between poverty, drugs and criminality shall not be lost in this context.&amp;lt;/p&amp;gt;</description>
                            
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                            <guid isPermaLink="false">content-110860</guid>
                            <pubDate>Wed, 08 Apr 2020 11:37:28 +0200</pubDate>
                            <title> Genre Borders</title>
                            <link>https://www.uni-bremen.de/en/film/film-culture/film-conference/previous-conferences/cinema-crossing-borders/panels#c110860</link>
                            
                            <description>&amp;lt;p&amp;gt;Border crossing is a fixed component of the genre discourse and can be beneficial in many ways for adjacent research questions, too. Panel 4 traces two approaches which explore the filmic crossing of borders based on generic definitions: Black Cinema and the American Action Thriller.&amp;lt;/p&amp;gt;

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