University of Bremen - Dr. Vesi Vukovic

60 University of Bremen - Dr. Vesi Vukovic https://www.uni-bremen.de/en/kunst/staff/dr-vesi-vukovic Kirsten de Vries en University of Bremen Wed, 22 Apr 2026 20:07:02 +0200 Wed, 22 Apr 2026 20:07:02 +0200 University of Bremen content-682298 Fri, 06 Mar 2026 14:36:42 +0100 Vita https://www.uni-bremen.de/en/kunst/staff/dr-vesi-vukovic#c682298 Vesi Vuković is YUFE4Postdocs - Marie Skłodowska-Curie postdoctoral Fellow, co-funded by the European Union. She is hosted by University of Bremen, under supervision of Prof Dr Winfried Pauleit, and co-hosted by the University of Essex, under co-supervision of Prof Dr Sanja Bahun. Vuković’s postdoctoral research project is entitled “Films by Yugoslav Women Filmmakers: Image, Sonic Icons, Lack of Digitisation, and Gender”. It is on Yugoslav women directors, their films which she closely analyses, on their memory as a part of Yugoslav heritage, that is, the state of their preservation in the archives and the prospects of digitization. Vuković is also the holder of Hanse-Wissenschaftskolleg: Institute for Advanced Study (the HWK) Associate Junior Postdoctoral Fellowship. Vuković obtained her PhD in Film Studies and Visual Culture at University of Antwerp in Belgium, and her MA at the Kyoto University of Arts and Design in Japan. Content content-703542 Fri, 06 Mar 2026 14:36:42 +0100 Research Projects https://www.uni-bremen.de/en/kunst/staff/dr-vesi-vukovic#c703542 &nbsp;&nbsp; | <a class="internal-link" href="t3://page?uid=17208#701952">Films by Yugoslav Women Filmmakers: Image, Sonic Icons, Lack of Digitisation, Archives, and Gender (2024-2027)</a> Content content-703543 Fri, 06 Mar 2026 14:36:42 +0100 Publications https://www.uni-bremen.de/en/kunst/staff/dr-vesi-vukovic#c703543 <figure class="table"><table><tbody><tr><td><a class="gsc_a_at" href="https://scholar.google.com/citations?view_op=view_citation&amp;hl=en&amp;user=lxcpOO0AAAAJ&amp;citation_for_view=lxcpOO0AAAAJ:d1gkVwhDpl0C">Violated sex: rape, nation and representation of female characters in Yugoslav new film and black wave cinema</a>V VukovićStudies in Eastern European Cinema 9 (2), 132-147</td><td><a class="gsc_a_ac gs_ibl" href="https://scholar.google.com/scholar?oi=bibs&amp;hl=en&amp;cites=7719687787092534207">13</a></td><td>2018</td></tr><tr><td><a class="gsc_a_at" href="https://scholar.google.com/citations?view_op=view_citation&amp;hl=en&amp;user=lxcpOO0AAAAJ&amp;citation_for_view=lxcpOO0AAAAJ:Y0pCki6q_DkC">Yugoslav(i)a on the margin: sexual taboos, representation, nation and emancipation in Želimir Žilnik’s Early Works (1969)</a>V VukovićStudies in Eastern European Cinema 13 (3), 248-271</td><td><a class="gsc_a_ac gs_ibl" href="https://scholar.google.com/scholar?oi=bibs&amp;hl=en&amp;cites=6909851247947439161">4</a></td><td>2022</td></tr><tr><td><a class="gsc_a_at" href="https://scholar.google.com/citations?view_op=view_citation&amp;hl=en&amp;user=lxcpOO0AAAAJ&amp;citation_for_view=lxcpOO0AAAAJ:eQOLeE2rZwMC">Women in the wave: representation of female characters in Yugoslav New Film and Black Wave</a>V VukovićUniversity of Antwerp</td><td><a class="gsc_a_ac gs_ibl" href="https://scholar.google.com/scholar?oi=bibs&amp;hl=en&amp;cites=9564097945166401549">3</a></td><td>2022</td></tr><tr><td><a class="gsc_a_at" href="https://scholar.google.com/citations?view_op=view_citation&amp;hl=en&amp;user=lxcpOO0AAAAJ&amp;citation_for_view=lxcpOO0AAAAJ:Tyk-4Ss8FVUC">Of bees, birds, trees, and women: iconography, superstition and victimization</a>V VukovićImages: The International Journal of European Film, Performing Arts and&nbsp;…</td><td><a class="gsc_a_ac gs_ibl" href="https://scholar.google.com/scholar?oi=bibs&amp;hl=en&amp;cites=1793504544067712158">2</a></td><td>2020</td></tr><tr><td><a class="gsc_a_at" href="https://scholar.google.com/citations?view_op=view_citation&amp;hl=en&amp;user=lxcpOO0AAAAJ&amp;citation_for_view=lxcpOO0AAAAJ:9yKSN-GCB0IC">Cinematic suicide: representations of working women in Yugoslav new film</a>V VukovićApparatus. Film, Media and Digital Cultures of Central and Eastern Europe&nbsp;…</td><td><a class="gsc_a_ac gs_ibl" href="https://scholar.google.com/scholar?oi=bibs&amp;hl=en&amp;cites=8160271061546033016,1580537943885697067">2</a></td><td>2019</td></tr><tr><td><a class="gsc_a_at" href="https://scholar.google.com/citations?view_op=view_citation&amp;hl=en&amp;user=lxcpOO0AAAAJ&amp;citation_for_view=lxcpOO0AAAAJ:ufrVoPGSRksC">Freedom Smothered: Gang Rape as Patriarchal Punishment of Emancipated Women in Yugoslav New Film</a>V VukovićAlphaville: Journal of Film and Screen Media 25, 40-60</td><td><a class="gsc_a_ac gs_ibl" href="https://scholar.google.com/scholar?oi=bibs&amp;hl=en&amp;cites=825039949434362160">1</a></td><td>2023</td></tr><tr><td><a class="gsc_a_at" href="https://scholar.google.com/citations?view_op=view_citation&amp;hl=en&amp;user=lxcpOO0AAAAJ&amp;citation_for_view=lxcpOO0AAAAJ:2osOgNQ5qMEC">Treacherous Women: Representation of Female Characters as Traitors of the Nation in Partisan-Themed Yugoslav New Films</a>V VukovićBalkan Cinema and the Great Wars: Our Story, 131-162</td><td><a class="gsc_a_ac gs_ibl" href="https://scholar.google.com/scholar?oi=bibs&amp;hl=en&amp;cites=5016215000155436365">1</a></td><td>2020</td></tr><tr><td><a class="gsc_a_at" href="https://scholar.google.com/citations?view_op=view_citation&amp;hl=en&amp;user=lxcpOO0AAAAJ&amp;citation_for_view=lxcpOO0AAAAJ:Se3iqnhoufwC">Transitions and Cinematic Dimensions of In-Betweenness in the Films of Vesna Ljubić: THE LAST SWITCHMAN OF THE NARROW-GAUGE RAILWAY (1986) and DEFIANT DELTA (1980)</a>V VukovićResearch in Film and History</td><td>&nbsp;</td><td>2025</td></tr><tr><td><a class="gsc_a_at" href="https://scholar.google.com/citations?view_op=view_citation&amp;hl=en&amp;user=lxcpOO0AAAAJ&amp;citation_for_view=lxcpOO0AAAAJ:WF5omc3nYNoC">Human as Animal: The Films of Dušan Makavejev and Shohei Imamura</a>V VukovićZbornik radova Fakulteta dramskih umetnosti, 25-42</td><td>&nbsp;</td><td>2023</td></tr><tr><td><a class="gsc_a_at" href="https://scholar.google.com/citations?view_op=view_citation&amp;hl=en&amp;user=lxcpOO0AAAAJ&amp;citation_for_view=lxcpOO0AAAAJ:u-x6o8ySG0sC">Jolted Reader: Jolted images: unbound analytic, by Pavle Levi, Amsterdam, Amsterdam University Press, 2017, 216 pp., €29.95 (paperback), ISBN 978-94-62&nbsp;…</a>V VukovićStudies in Eastern European Cinema 9 (2), 183-186</td><td>&nbsp;</td><td>2018</td></tr></tbody></table></figure> Content content-682295 Fri, 06 Mar 2026 14:36:42 +0100 Kontaktdaten https://www.uni-bremen.de/en/kunst/staff/dr-vesi-vukovic#c682295 Department: Institute for Art History - Film Studies - Art Education Subject:&nbsp; Film Studies Office:&nbsp; GW2 B3915 E-Mail:&nbsp; <a class="e-mail-link" href="mailto:vvukovic@uni-bremen.de">vvukovic@uni-bremen.de</a> Content