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                    <title>University of Bremen - Nils Gloistein</title>
                    <link>https://www.uni-bremen.de/en/kunst/staff/nils-gloistein</link>
                    <description>Tobias Dietrich</description>
                    <language>en</language>
                    <copyright>University of Bremen</copyright>
                    <pubDate>Tue, 14 Apr 2026 17:19:06 +0200</pubDate>
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                            <pubDate>Fri, 06 Mar 2026 11:50:57 +0100</pubDate>
                            <title>Publications</title>
                            <link>https://www.uni-bremen.de/en/kunst/staff/nils-gloistein#c549952</link>
                            
                            <description>&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Books (in German)&amp;lt;/strong&amp;gt;&amp;lt;/p&amp;gt;
&amp;lt;p&amp;gt;2022: Kopf/Kino. Psychische Erkrankung und Film (hg. mit Winfried Pauleit). Berlin: Bertz + Fischer.&amp;lt;/p&amp;gt;
&amp;lt;p&amp;gt;2017: Filme für den Eimer. Das Experimentalkino von Klaus Telscher. Stuttgart: ibidem.&amp;lt;/p&amp;gt;

&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Academic papers (English selection)&amp;lt;/strong&amp;gt;&amp;lt;/p&amp;gt;
&amp;lt;p&amp;gt;2022: Teaching Mental Illness through Film and Film through Mental Illness, in: Sark, Katrina (Hg.): Social Justice Pedagogies. (Forthcoming).&amp;lt;/p&amp;gt;
&amp;lt;p&amp;gt;2019: Depression as Aesthetic Answer to the Socioeconomic Crisis in Two Days, One Night, in: Corbalán, Ana; Kaklamanidou, Betty (Hg.): Contemporary European Cinema. Crisis Narratives and Narratives in Crisis. London, New York: Routledge, S. 106–118.&amp;lt;/p&amp;gt;

&amp;lt;p&amp;gt;&amp;lt;strong&amp;gt;Others (English selection)&amp;lt;/strong&amp;gt;&amp;lt;/p&amp;gt;
&amp;lt;p&amp;gt;2021: &amp;lt;a class=&amp;quot;externalLink&amp;quot; href=&amp;quot;https://thepolyphony.org/2021/03/19/frenzies-films-and-family-a-review-of-mental-traveler-by-w-j-t-mitchell/&amp;quot; target=&amp;quot;_blank&amp;quot; title=&amp;quot;Opens external link in new window&amp;quot;&amp;gt;Frenzies, Films and Family.&amp;lt;/a&amp;gt;&amp;amp;nbsp; A Review of ‘Mental Traveler’ by W.J.T. Mitchell in: The Polyphony. Conversations across the Medical Humanities. 19.3.2021.&amp;lt;/p&amp;gt;
&amp;lt;p&amp;gt;2018: &amp;lt;a class=&amp;quot;externalLink&amp;quot; href=&amp;quot;https://docs.wixstatic.com/ugd/172485_c2448f514ee044ba83323d28f04022fe.pdf&amp;quot; target=&amp;quot;_blank&amp;quot; title=&amp;quot;Opens external link in new window&amp;quot;&amp;gt;Social Justice, Blood Donation, and Gay Rights&amp;lt;/a&amp;gt;, in: Sark, Katrina (Hg.): Anthology of Social Justice and Intersectional Feminisms, 1., S. 25–27.&amp;lt;/p&amp;gt;

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                            <pubDate>Fri, 06 Mar 2026 11:50:57 +0100</pubDate>
                            <title>Presentations</title>
                            <link>https://www.uni-bremen.de/en/kunst/staff/nils-gloistein#c549953</link>
                            
                            <description>&amp;lt;p&amp;gt;5/5/2021: „Mind/Screens: Bridging Film Aesthetics and Mental Illness“, Introductory Note to the 25th International Bremen Film Conference, University of Bremen, CITY 46 / Kommunalkino Bremen e.V., together with Angela Rabing and Winfried Pauleit.&amp;lt;/p&amp;gt;
&amp;lt;p&amp;gt;1/24/2020: „Experience as Aesthetic Change: Mental Illness as Self-corrective Truth in Christopher Nolan’s Memento“, 3rd Congress of the Northern Network for Medical Humanities Research, „Experience, Medicine and Marginalisation“, University of Sheffield.&amp;lt;/p&amp;gt;
&amp;lt;p&amp;gt;7/29/2019: „Madness and Posthumanism“, Summer School „Posthuman Intimacies. Cross-Species Entanglements in European Cinema“, University of Toronto.&amp;lt;/p&amp;gt;
&amp;lt;p&amp;gt;10/26/2018: „Considering the Clinical Discourse as an Aesthetic One Through the Light of Film”, Cultural Crossings of Care. An Appeal to the Medical Humanities, University of Oslo.&amp;lt;/p&amp;gt;
&amp;lt;p&amp;gt;6/29/2018: &amp;quot;Taking the &amp;#039;Scenic&amp;#039; Route. Values of Authorial Wrong Tracks in Discontinuous Fictional Illness Narratives&amp;quot;, GCSC-Workshop &amp;quot;Rhetorics of Health and Illness. (Dis-)Continuous Minds, Bodies, and Narratives&amp;quot;, Justus-Liebig-Universität Gießen.&amp;lt;/p&amp;gt;
&amp;lt;p&amp;gt;11/28/2017: „The Aesthetic Dimension of Mental Illness. Werner Herzog’s My Son, My Son, What Have Ye Done”, Department of Germanic and Slavic Studies, University of Victoria, B.C., Canada.&amp;lt;/p&amp;gt;
&amp;lt;p&amp;gt;10/2/2017: „Caligari – Dr. Unrath – M. Types of Madness in Weimar Cinema“, im Rahmen des Seminars „A Short History of German Film“, Department of Germanic and Slavic Studies, University of Victoria, B.C., Canada.&amp;lt;/p&amp;gt;</description>
                            
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