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Coaching: Peer-to-peer workshops give you the chance to gain support and advice in small groups and one-on-on. There are also various other writing-based events and workshops available. You can find a list
Section: FB9
and cultural mediation / education, cultural management, or in a development organization. In year one students acquire basic academic work techniques, together with vocationally relevant skills, such as
as non-institutional religious groups to transport content to a broader public. Therefore, on the one hand, media reflect processes of cultural and social construction as well as their changes; on the [...] However, much the research is so far limited on mass or social media. The role of video games, though one of the most influential media genres especially for the younger generation and an important factor
be defensible as a very useful compass in many respects. This methodical approach is similar to the one Sellars, Mackie and Strawson had each chosen when they referred to Kant and Locke. The first aim is
practiced from an early stage and, maybe most importantly, it has to be practiced in relation to one’s own work. Critical thinking is also about being self-reflective and about being aware of other mindsets—as
Anthropology and Cultural Research offers students study places at various European universities for one or two semesters in the framework of the ERASMUS Exchange Program: Italy (Siena, Bologna), Spain (Barcelona
Credit Points. Credit Points are awarded for a given course based on the volume of work involved. One credit point is roughly equivalent to 30 working hours. The work-load covers attendance time spent
films are of utmost importance for film-theoretical and (film)historical contexts. The corpus of sixty-one films allows us to grasp both cultural and socio-historical continuities and ruptures between the Nazi [...] of the late phase of National Socialism and the post-war period. The innovative core lies, on the one hand, in the integrative revision of transitional films that were previously mostly conceptualized [...] Feminist Cinematic Resistance Movement that can be seen as an anti-fundamentalist "cinema for change" - one that is pioneered by Muslim women from these societies that have a shared history of fundamentalist
3min. | FLUXFILM N°13 : TRACE n°24 | Robert WATTS 1966 | 16mm, n/b, sil | 1min19. | FLUXFILM N°14 : ONE | Yoko ONO, 1966 | 16mm, n/b, sil | 4min30. | FLUXFILM N°15 : EYE BLINK | Yoko ONO | 1966, 16mm, n/b