public Seminars and Events

The School  of Cinema is a place for film mediation. On offer are paedagogical workshops and academic seminars which are accompanied by film screenings at the cinema. Partners of the cooperation are Department 9, University of Bremen / Workgroup Film and Media Aesthetics as well as the Communal Cinema / CITY 46. Shows are open to anyone interested, either on a continuous basis or for singular programmes.

School of Vision

The seminar focusses on fundamental aspects of filmaesthetics. Referencing film stills and excerpts from film history the seminar tries to uncover what film and what cinema is.

film:art

The label film:art covers programmes of  "artistic" films, mainly experimental works, avant-garde films and forms of media art. see all film:art-Events

Film Programmes

see all Film Programmes

Fluxfilm Anthology

film:art 37

Neodadistische Aktionskunst – wie Fluxus gelegentlich auch genannt wurde – setzt auf die Auflösung der künstlerischen Medienabgrenzungen, die Einbeziehung des Zufalls, des Alltags und der Zuschauer. In seinem theoretischen Manifest definiert George Maciunas Fluxus als "einfach, unterhaltsam, anspruchslos".  Aus der Musik kommend wendet sich Fluxus auch dem Film als einer möglichen Ausdrucksform zu.

4.11.2007, 20:30Uhr im Kino 46, eingeführt von Christine Rüffert

Die Filme:

   | FLUXFILM N° 1 : ZEN FOR FILM | Nam June Paik | 1962-64 | 16mm, n/b, sil | 7min.
   | FLUXFILM N° 2 : INVOCATION OF CANYONS AND BOULDERS | Dick HIGGINS | 1966 | 16mm, coul, sil | 1min.
   | FLUXFILM N° 3 : END AFTER 9 | George MACIUNAS | 1966 | 16mm, n/b, sil | 1min20.
   | FLUXFILM N° 4 : DISAPPEARING MUSIC FOR FACE | Chieko SHIOMI | 1966 |16mm, n/b, sil | 10min.
   | FLUXFILM N° 5 : BLINK |  John CAVANAUGH | 1966 | 16mm, n/b, sil, | 2min30
   | FLUXFILM N° 6 : 9 MINUTES | James RIDDLE | 1966 | 16mm, n/b, sil | 9min.
   | FLUXFILM N° 7 : 10 FEET | George MACIUNAS | 1966 |16mm, n/b, sil | 0min28.
   | FLUXFILM N° 8 : 1000 FRAMES | George MACIUNAS | 1966 |16mm, n/b, sil | 0min42
   | FLUXFILM N° 9 : EYE BLINK | Yoko ONO |1966 | 16mm, n/b, sil | 1min.
   | FLUXFILM N°10 : ENTRANCE TO EXIT | George BRECHT | 1966 | 16mm, n/b, opt | 6min30
   | FLUXFILM N°11 : TRACE n°22 | Robert WATTS | 1966 | 16mm, n/b, sil | 1min15
   | FLUXFILM N°12 : TRACE n°23 | Robert WATTS | 1966 | 16mm, n/b, sil | 3min.
   | FLUXFILM N°13 : TRACE n°24 | Robert WATTS 1966 | 16mm, n/b, sil | 1min19.
   | FLUXFILM N°14 : ONE | Yoko ONO, 1966 | 16mm, n/b, sil | 4min30.
   | FLUXFILM N°15 : EYE BLINK | Yoko ONO | 1966, 16mm, n/b, sil | 1min.
   | FLUXFILM N°16 : FOUR | Yoko ONO 1966 | 16mm, n/b, sil | 5min30.
   | FLUXFILM N°17 : FIVE O'CLOCK IN THE MORNING | Pieter VANDERBEK | 1966, 16mm, n/b, sil | 4min30.
   | FLUXFILM N°18 : SMOKING | Joe JONES, 1966 | 16mm, n/b, sil | 6min.
   | FLUXFILM N°19 : OPUS 74, VERSION 2 | Eric ANDERSEN, 1966 | 16mm, coul, sil | 1min20.
   | FLUXFILM N°20 : ARTYPE | Georges MACIUNAS | 1966 | 16mm, n/b, sil | 4min20.
   | FLUXFILM N°21 : BABYFOOTAGE | Alyson KNOWLES
   | FLUXFILM N°22 : SHOUT de Jeff PERKINS | 1966 |16mm, n/b, sil, 2min30.
   | FLUXFILM N°23 : SUN IN YOUR HEAD | Wolf VOSTELL | 1963, 16mm, n/b, sil | 6min.
   | FLUXFILM N°24 : READYMADE | Albert M. FINE | 1966, 16mm, coul, sil | 0min45».
   | FLUXFILM N°25 : THE EVIL FAERIE | George LANDOW | 1966 |16mm, n/b, sil, | 3min.
   | FLUXFILM N°26 : SEARS CATALOGUE 1-3 | Paul Sharits | 1965 | 16mm, 0min28.
   | FLUXFILM N°27 : DOTS 1 & 3 | Paul Sharits | 1965 | 16mm, 0min35.
   | FLUXFILM N°28 : WRIST TRICK & UNROLLING EVENT | Paul SHARTIS | 1966 | 16mm, n/b, sil | 2min30.
   | FLUXFILM N°29 : WORD MOVIE | Paul Sharits | 1966 | 16mm, coul, opt | 4min.
   | FLUXFILM N°30 : DANCE | Albert M. FINE | 1966 | 16mm, n/b, sil | 2:48min.
   | FLUXFILM N°31 : POLICE CAR | John CALE | 1966, 16mm, coul, sil | 1min.
   | FLUXFILM N° 32 : INTERMISSION | Milan KNIZAK
   | FLUXFILM N° 33 : INDETERMINATE MOVIE | Milan KNIZAK
   | FLUXFILM N° 34 : RAINBOW MOVIE | Ay-O
   | FLUXFILM N° 35 : MOON LANDING | Geoffrey HENDRICKS
   | FLUXFILM N°36 : FLUXFILM N°36 | Peter KENNEDY & Mike PARR | 1970 | 16mm, n/b, opt | 2min30.
   | FLUXFILM N°37 : FLUXFILM N°37 | Peter KENNEDY & Mike PARR | 1970 | 16mm, n/b, sil | 2min.
   | FLUXFILM N°38 : JE NE VOIS RIEN JE N'ENTENDS RIEN JE NE DIS RIEN de Ben VAUTIER | 1966, 16mm, coul, sil | 7min.
   | FLUXFILM N°39 : LA TRAVERSEE DU PORT DE NICE À LA NAGE | Ben VAUTIER | 1963 | 16mm, coul, sil | 5min.
   | FLUXFILM N°40 : FAIRE UN EFFORT | Ben VAUTIER | 1969 | 16mm, coul, sil | 2min.
   | FLUXFILM N°41 : REGARDE MOI CELA SUFFIT | Ben VAUTIER | 1962 | 16mm, coul, sil | 3min.

filmstill Auge in Großaufnahme in s/w