Summer School
Borders, Borderthinking, Borderlands‘
Universität Bremen, Duke University & University of North Carolina at Chapel Hill
Introduction
The moral foundations and the political crisis of the contemporary world order have become an important topic of late in various disciplines of the humanities and social sciences. While the current problems of the international system led many scholars to examine the normative values of the inter-state system and global governance, the problems created by rigid borders, their formation and their challengers have been overlooked. Many scholars still take nation state borders, civilizational borders, racial borders or borders of other kinds as given facts in their analysis. When there is an attempt to overcome various national and cultural borders, we generally fall into the language of borderless and abstract globalism and regionalism. Yet, we neglect the fact that borders of various kinds are still being imposed, challenged and even dwelled upon in a world of nation states and globalism. As a result, existing scholarship has not paid sufficient attention to border making, border contestation and new border imaginations in approaching and understanding the moral and political roots of the contemporary crisis of global governance. The best way to understand the crisis partly caused by struggles over the physical, intellectual and cultural borders is to focus on these contestations.
This focus on borderthinking will also help us to re-evaluate the state of humanities after attempts at decolonization through vigorous challenges, some of which the Summer Institute intends to contribute to. As modern social sciences originated in the era of imperialism, its categories and visions were shaped by the various borders of the colonial project. Anti-colonial struggles and decolonization processes challenged many of these borders, and redefined them, but these processes also reified some of the older borders and created their own borders. Some of the prominent explanations of the contemporary crisis as challenges to the modern Eurocentric or West-centered economic and political order by the rise of the non-Western world miss the complexity and ambivalence of the global experience that can not be divided into civilizational, national and religious containers. The idea of a legitimate and stable Eurocentric world order has always been a myth, as the various borders constructed by the economic, political and cultural power of Europe continued to be challenged, modified, negotiated and redefined by the multiple agencies of global actors. Similarly, the contemporary rise of Asian economies and polities became entangled with new visions of borders and its challengers. This Summer Institute aims to analyze many of the ongoing problems of global community, from economic disparity to political disempowerment and legitimacy crisis, with a focused attention to issues of border construction and deconstruction over the centuries since the European "discovery" of the so-called ”New World" and the conquista, since 1492, of what became “Latin” America in the second half of the nineteenth century.
The Summer Institute aims to generate conversation and critical thinking among engaged young scholars and citizen intellectuals in the ethics and politics of scholarship in order to approach border encounters and contestations from a global perspective. Despite the growing realization that we need transnational intellectual cooperation in tackling our shared problems, we do face rigid academic borders that prevent genuine conversation among scholars from different parts of the world due to national, cultural, civilizational and class borders in world academic institutions. The global public sphere of intellectuals and even intra-university cooperations also have to deal with various borders created by economic disparity, cultural attitudes, passport and visa restrictions or language barriers. Although there are many intellectuals in Asia and Africa who are knowledgeable about intellectual currents in European and American universities, there is no symmetrical curiosity about non-Western intellectuals on the part of American and European academic circles. A genuine global academia should also be able to challenge uneven power relations and various borders in the network of world universities. In that sense, the Summer Institute intents to be a platform to unveil the past and present of global un-justice.
The Summer Institute approaches the concepts ‘Borders, Borderthinking, Borderlands’ in their immediate political and physical sense, but also as tropes of thinking. It aims to further the understanding of the mechanisms of inner and outer decolonization, as well as western modernity’s resistance to this decolonization. The Summer Institute considers the development and overcoming of physical, psychological, epistemological and spiritual borders and examine post-, anti- and decolonial constellations, e.g. Black Diaspora or transculturalism and trajectories influenced by Negritude, Black Consciousness, to name a few. The terms ‘Borders, Borderthinking, Borderlands’ are understood as the recognition of conflict lines for a radical revision of colonial modernity emanating from decentered locations. The Summer Institute reveals diachronic and synchronic linkages among anti- and decolonial epistemologies.
The Summer Institute explores the epistemic dimensions of the ‘Border’ concept. Its main terms ‘Borders, Borderthinking, Borderlands’ serve to focus on processes and significations of constantly reiterated drawing up of frontiers, as for example in the colonial differentiation between civilization and “savages”, own and other/alien, human and non-human, “white” supremacy and “black” enslavement. The Summer Institute aims to break up the opposition of a “good and true” western high culture and a primitive, superstitious rest of the world produced by this colonial differentiation.
At the same time, the Summer Institute aims to subvert the globe-spanning eurocentric projection of power founded on this epistemic opposition, that is still active even after physical decolonisation, and that „to a large extent structurally precludes the participation of non-white human agency in the realm of subjecthood“ (Broeck 2006). The Summer Institute presents to its participants an understanding of ‘Border’ as a concept of politico-epistemic interweaving of power and knowledge as well as a material and violent reality, and will introduce ‘Borderthinking’ and ‘Borderlands’ as approaches to critical epistemology.
‘Borderthinking’ provides a methodological approach that does not conceptualize ‘Borders’ from a eurocentric perspective of inclusion/exclusion, but as spaces of mutual exchange, contamination and dissemination, in which the self-ascribed privileges of the West are laid bare and deconstructed. ‘Borderthinking’ is presented as „the recognition and transformation of the hegemonic imaginary from the perspectives of people in subaltern positions“ (Mignolo 2000). Besides the teaching of theoretical frameworks, close attention to cultural and artistic testimonies of the experience of ‘Borders, Borderthinking, Borderlands’ forms an important aspect of the Summer Institute. Activities such as visits to historical sites, post-colonial city tours, attending local cultural events (etc.) form an integral part of the Summer Institute.
The concept of ‘Borderlands’ expands the notion of ‘Border’ from the perception of a clear and clean divide between different and independent entities, to an understanding of a common space of hybridity, changing localizations of transnational and transcultural identities, dynamic attributions and always-already mixed and mutually dependent positions. This expansion will enable the participants of the Summer Institute to generate a better understanding of contemporary global conflicts and developments, and will offer starting points for further progress in their own research.
The Summer Institute will not produce knowledge allowing for easy consumption or “informed” control of “the Other”. It engages its participants in a critical self-reflection on their own position, participation and agency within the matrix of power and knowledge-production of (neo-; sub-)coloniality, post-, anti-, and decolonisation, as well as the influence, role and potential of this position for and within their own work. In order to achieve this, the Summer Institute demands participants to pro-actively integrate their own research into the Institute’s work-processes. Through this, a space for crosscutting, inter-sectional and trans-disciplinary work and exchange between the participants, their work and the Institute personnel is created. Decoloniality is offered as an option, as one among different possible methodologies to think through ‘Borders, Borderlands and Borderthinking’, to delink knowledge from western hegemony and to rethink the conjunction of ethics and epistemics always present in academic work.
Interventionist Reading List
Anzaldua, Gloria. Borderlands / La Frontera. San Francisco: Aunt Lute Books, 1987.
Bennabi, Malik. The Question of Ideas in the Muslim World. Selangor: Islamic Book Trust, 2003.
Biko, Steve. I write what I like: Selected Writings. Chicago: U of Chicago P, 2002.
Cassano, Franco. Southern Thought and other Essays on the Mediterranean. New York: Fordham UP, 2011.
Césaire, Aimé. Discourse on Colonialism. New York: Monthly Review Press, 2001.
DuBois, W.E.B.. The Souls of Black Folk. New York: Dover, 1994.
Fanon, Frantz. Black Skin, White Masks. New York: Grove Press, 2007.
Gandhi, Mohandas. Indian Home Rule. (a.k.a. Hind Swaraj). Ahmedabad: Navajwan Pub. House, 1962.
Spillers, Hortense. „Mama’s Baby, Papa’s Maybe: an American Grammar Book.“ in: Diacritics 17:2 (Summer 1987), pp. 64 – 81.
Shariati, Ali. Man and Islam. North Haledon, NJ.: Islamic Publications Intl., 2005.
Wadud, Amina. Inside the Gender Jihad: Women’s Reform in Islam. Oxford: OneWorld, 2006.
Wilderson, Frank. Red, White & Black: Cinema and the Structure of U.S. Antagonisms. Durham: Duke UP, 2010.
Wright, Michelle. Becoming Black: Creating Identity in the African Diaspora. Durham: Duke UP, 2004.
Wynter, Silvia and David Scott. "The Re-Enchantment of Humanism: an Interview with Sylvia Wynter." in: Small Axe Vol.8 (2000), s. 119-207.
Program (15th to 26th of May, 2015)
Fri. 15. May 2015 | |
16.00 – 18.00: | Arrival and registration |
Sat, May 16, 2015 | |
09.30 – 12.00: |
|
Sun, May 17, 2015 | |
10.30 – 16.00: | Visit to the German Immigration Museum in Bremerhaven |
Mon, May 18, 2015 | |
09.30 – 12.00: | Elizabeth Arend: Border Discourse in Literary and Filmic Representations of the Mediterranean |
13.00 – 17.00: | Participants’ Presentations:
|
18.00 – 19.30: | Keynote 1: |
Tue, May 19, 2015 | |
09.30 – 12.00: | Postcolonial City Tour Bremen with Kim Annakathrin Ronacher |
13.00 – 17.00: | Participants’ Presentations:
|
Wed, May 20, 2015 | |
09.30 – 12.00: | Juliane Hammer: "Is Change Liberation? Religions, Feminisms, and Boundaries of Academic Systems“ |
13.00 – 17.00: | Participants’ Presentations:
|
Thu, May 21, 2015 | |
09.30 – 12.00: | Gisela Febel: Visible and Invisible Borders in Literature and Art |
14.00 – 16.00: | (in cooperation with INPUTS): Dr. Cheikh Moctar Ba: L’Afrique et les Lumières (Room: SFG 2080) |
Evening: | Pub Crawl (optional) |
Fri, May 22, 2015 | |
11.00 – 13.00: | Brunch (optional) |
Sat, May 23, 2015 | |
09.30 – 12.00: | Sabine Broeck: Enslavism and the Borders of White Agnotology |
13.00 – 17.00: | Participants’ Presentations:
|
18.00 – 19.30: | Keynote 2: |
Sun, May 24, 2015 | |
09.30 – 12.00: | Walter Mignolo: Dwelling in two Borders of Coloniality (Human/less Human and Human/Non-Human) and thinking/doing in two Horizons of Decoloniality |
13.00 – 17.00: | Participants’ Presentations:
|
Mon, May 25, 2015 | |
09.00 – 12.00: | Participants’ Presentations:
|
13.00 – 17.00: | Closing Address Closing Plenum of Faculty and Participants Feedback-Round Evaluation |
Tue, May 26, 2015 | |
Departure |
Faculty
Prof. Sabine Broeck (Universität Bremen)
Prof. Sabine Broeck teaches Black Diaspora Studies at the University of Bremen. Her research proposes a critique of the coloniality and anti-blackness of transatlantic modernity as a form of (post-)enslavement. She has published two monographs: Der entkolonisierte Körper (1988) and White Amnesia – Black Memory? American Women’s Writing and History (1999). At the moment she is working on a book-length manuscript with the title Gender and Anti-Blackness, to be published by SUNY Press. For more information, visit http://www.fb10.uni-bremen.de/lehrpersonal/broeck.aspx.
Prof. Gisela Febel (Universität Bremen)
Prof. Gisela Febel studied Philosophy as well as German and Roman Studies and wrote her Ph.D. on contemporary French literature at the University of Stuttgart. After working for the German Academic Exchange Service and teaching French and general and comparative Literature Studies at the Universities of St. Etienne and Stuttgart, she received her professorial degree in 1998 with a work on rhetoric and poetry of the early modern age. Since 1999, she has been a professor of Roman and Literary Studies at the University of Bremen, with a special focus on francophone literature and contemporary literary and cultural theories. Her main areas of research are the contemporary literatures of France and the francophone regions, of Spain and Latin America; postcolonial Space; the history of Modernity; the literature of the Renaissance; Epistemology; Poetics and literary theory. For more information visit http://www.fb10.uni-bremen.de/lehrpersonal/febel.aspx
Prof. Dr. Elisabeth Arend (Universität Bremen)
Prof. Elizabeth Arend is Professor of Roman Studies and Transnational Literary Studies at the University of Bremen. After studying Roman Studies and History at the Universities of Freiburg and Reims, she obtained her Ph.D. from the RWTH Aachen with a work on the intellectual newspaper in 18th. century France. She obtained her professorial degree from the University of Göttingen with a study of laughter and humor in Giovanni Boccasccios “Decameron”. Prof. Arend has been teaching first Italian and then also French literature at the University of Bremen since the year 2000 and has been responsible for the development and coordination of the interdisciplinary Master Transnational Literary Studies. Literature. Film. Theater. since 2009.
Prof. Arend areas of research are: Francophone literatures of the Maghreb and specifically of Algeria, the history of Algerian cinema; literary and filmic representations of the Mediterranean as well as research on transnationality more generally (literature/ film). For more information, visit http://www.fb10.uni-bremen.de/lehrpersonal/arend.aspx
Prof. Walter Mignolo (Duke University, Durham, North Carolina, U.S.A)
Walter D. Mignolo is William H. Wannamaker Distinguished Professor and Director of the Center for Global Studies and the Humanities at Duke University. He has been working for the past 25 years on the formation and transformation of the modern/colonial world system and on the idea of Western Civilization. Among his major works are The Darker Side of The Renaissance: Literacy, Territoriality and Colonization 1995, received the Katherine Singer Kovacs Prize from the Modern Languages Association of America in 1996, the book is being translated into Chinese and it is in his second edition. Local Histories/Global Designs: Coloniality, Subaltern Knoweldge and Border Thinking, (2000), was translated into Spanish and Portuguese and is being translated into Korean, and it is going into its second edition. The Idea of Latin America, 2005, received the Frantz Fanon Award from the Caribbean Philosophical Association in 2006. It was translated into Spanish and Korean, and it is being translated into Italian. His most recent book, The Darker Side of Western Modernity: Global Futures, Decolonial Options was just released in December of 2011. With Madina Tlostanova he published Learning to Unlearn. Decolonial Reflections from Eurasia and the Americas (2012).
He holds a Associated Research Position at the Universidad Andina Simon Bolivar in Quito; has co-organized with Rolando Vazquez the Summer Schools on “coloniality and decoloniality” at the Roosevelt Academy of the University of Utrecht at Middleburgh, The Netherlands. Has an extensive work as co-editor of books and editor journals. He is member of numerous international advisory boards, including the advisory board of the Hong Kong Advanced Institute for Cross-Disciplinary Studies, where he was Visiting Fellow from January to June of 2012. For more information visit www.waltermignolo.com
Prof. Juliane Hammer (University of North Carolina at Chapel Hill; U.S.A.)
Juliane Hammer is Associate Professor and Kenan Rifai Scholar in Islamic Studies at the University of North Carolina at Chapel Hill. She specializes in the study of American Muslims, contemporary Muslim thought, women and gender in Islam, and Sufism. She is the author of Palestinians Born in Exile: Diaspora and the Search for a Homeland (2005) and American Muslim Women, Religious Authority, and Activism: More Than a Prayer (2012), as well as the co-editor of A Jihad for Justice (with Kecia Ali and Laury Silvers, 2012) and the Cambridge Companion to American Islam (with Omid Safi, 2013). She is currently working on a book project focusing on American Muslim efforts against domestic violence, and on a larger project exploring American Muslim discourses on marriage, family, and sexuality. For more information, visit: http://religion.unc.edu/_people/full-time-faculty/hammer
Keynote Abstracts
Maissara Saeed (German Sudanese Association for Development (GSAD), Hildesheim, Germany)
There is a rat in my kitchen, what am I gonna do?
There is a rat in my kitchen, is a name of a song for (UB40), a British Reggae/Pop music group. I borrowed the title to identify my paper which is highlighting a documentary experimental view about Refugees & human rights in Germany. According to the international and German law, man can ask for asylum & protection in Germany in case of human rights violation in his/her original country. I am a Sudanese refugee in Germany since 2010, from my experience, there is a very radical shift in the refugees issue from the humanitarian and legal space, into the political corridors. The authorities in Germany use the law as an instrument or tool to violate human rights of refugees and new comers, to make their lives so difficult, because they want to stop the flow of migrants towards Germany. Series of laws had been issued and approved on the base of protection of the German nation from the new comers, and as a result: migrants’ human right (s) had been violated. What are these rights? How they are violated, and why? Is it political or legal? What is the result? What are lessons learned about (Law as a tool) in Germany? Generally, what is the main challenge facing (Law and human rights)? This is the core of a power point presentation; I hope to enrich the socio-legal and political discussions about Refugees in Europe.
Isabel Soto
“‘Surrounded by a clamorous throng of whites and blacks:’ Chronotopic mediations of Race and Language in Benito Cereno.”
This paper considers how language and race are mediated through the chronotope of the San Dominick, the Spanish buque negrero that in Melville’s short novel Benito Cereno (1855, 1856) functions as a “central organizing symbol […] a living, micro-cultural, micro-political system in motion” (Gilroy 4). Mobilizing a shifting chromatic palette of black, white and grey tonalities, the narrator likens the slave ship to “a white-washed monastery […] perched upon some dun cliff among the Pyrenees […] a shipload of monks [and] throngs of dark cowls [with] dark moving figures.” This passage is but one of many that link a non-anglophone coloniality to the African diaspora, here, that of Spain and Spaniards. Referred to by Isabel DeGuzmán as the “blackened figure[...] of alien whiteness” (47), the Spanish presence in the text complicates orthodox conceptualizations of race-making.
Jostling against the narrator’s delusional and racist musings, the St. Dominick is figured from the start as a supple, undefined and unfixed eco-system of culture, language and race. I argue that the San Dominick is above all a liminal chronotope, a space that carries within it specific racial, linguistic and cultural systems. The specificity of these systems notwithstanding, the San Dominick is figured as a sort of mobile contact as well as translation zone; however asymmetrical, relations of power are as fluid and indeterminate as the path of the unmoored ship itself. This indeterminacy finds its cognate in the very construction of the text, which rests heavily (if subtly) on intertextuality, even as it proliferates fractally through (at least) two paratexts: the post-narrative “Declaration of the first witness, Don Benito Cereno” and Captain Amasa Delano’s A Narrative of Voyages and Travels (1817).
DeGuzmán, Isabel. Spain's Long Shadow: The Black Legend, Off-Whiteness, and Anglo-American Empire (2005)
Gilroy, Paul. The Black Atlantic. Modernity and Double Consciousness (1993)
Melville, Herman. Benito Cereno (1855, 1856)