Drift: Dokumentarfilm von Helena Wittmann und Theresa George
Flusser (2011) reminds us, is a kind of non-in- scriptive medium (cf. Jue 2014). The ink-sea of Drift is cinematographic — motion writing — a midnight movie that is also a kind of calligraphy or painting. [...] ecology. We see not, say, the carnage of Lucien Castaing-Taylor and Verena Paravel’s Leviathan (2012), a kind of horror movie about fishing that looks, with its fish-eye GoPro views, as though it was made by